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Owain

Owain

by Brian Edward Rise

In history he is known as the son of Urien and a prince of Rheged. Eugenius is the Roman equivalent of his name. He, like his father, fought the Northern Angles towards the end of the sixth century. In a churchyard in Penrith is the so-called Giant’s Grave that was regarded for a long time as his and an elegy on his death was composed by the Welsh bard Taliesin.

He later became a hero of Welsh legend. He was pulled into Arthurian saga anachronistically, because he was unknown at the time Culwych and Olwen, which never mentions him, was written. This might be the result of brief allusion to him found in Geoffrey of Monmouth. A Welsh triad names his mother as Modron, originally a Celtic goddess. He is a character in The Dream of Rhonabwy and Owain (or The Lady of the Fountain).

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Gwydion

Gwydion

by Karen Davis

Gwydion, one of the nephews of Math ap Mathonwy, and brother of Arianrhod. He contrived Gilfaethwy’s rape of the maiden Goewin, Math’s foot holder. He did this by starting a war with Pryderi of Dyfed, stealing his pigs, and thus taking Math away on campaign. But he and Gilfaethwy doubled back and Gwydion forced the other women to leave Goewin with Gilfaethwy, who raped her.

When she confessed this to Math, he levied as punishment on his nephews that they spent three years as animals, Gwydion as a stag, a wild sow, and a wolf, breeding each year with his brother Gilfaethwy who was hind, boar, and she-wolf. They produced three offspring, whom Math made human and raised at his court.

Afterward, they were restored to the court. Gwydion raised Arianrhod’s virgin-born son Llew Llaw Gyffes, winning for him his name and arms by tricking his mother, and created a woman out of flowers to marry him. After that woman, Blodeuwedd, betrayed Llew to his death, Gwydion restored him to life and turned her into an owl.

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Little Mermaid

The Little Mermaid” (Danish: Den lille havfrue) is a fairy tale by the Danish poet and author Hans Christian Andersen about a young mermaid willing to give up her life in the sea and her identity as a mermaid to gain a human soul and the love of a human prince.

Written originally as a ballet, the tale was first published in 1837 and has been adapted to various media including musical theatre and animated film.

retold by Robert Hoffman

Big out in the ocean, where the water is as blue as the prettiest cornflower, and as clear as crystal, it is very, very deep; so deep, indeed, that no cable could fathom it: many church steeples, piled one upon another, would not reach from the ground beneath to the surface of the water above. There dwell the Sea King and his subjects. We must not imagine that there is nothing at the bottom of the sea but bare yellow sand. No, indeed; the most singular flowers and plants grow there; the leaves and stems of which are so pliant, that the slightest agitation of the water causes them to stir as if they had life.

Fishes, both large and small, glide between the branches, as birds fly among the trees here upon land. In the deepest spot of all, stands the castle of the Sea King. Its walls are built of coral, and the long, gothic windows are of the clearest amber. The roof is formed of shells, that open and close as the water flows over them. Their appearance is very beautiful, for in each lies a glittering pearl, which would be fit for the diadem of a queen.

 

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