Category: Literature

In any type of writing, there are three possible points of view: 1st, 2nd, and 3rd, or me, you, and other. There are three periods of the English language’s history: Old, Middle, and Modern. And dramas traditionally have three parts: prot asis, epitasis, and catastrophe.

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Three types of story arcs

Three arc types | Harry Potter

Story arcs are the overarching structures that define the progression of a narrative. There are several ways to categorize them, but one common classification involves three main types of story arcs: the “Three-Act Structure,” the “Hero’s Journey,” and the “In Media Res” or “Mid-action” story arc. These arcs offer different approaches to creating engaging and satisfying narratives.

  1. Three-Act Structure:
    • Act 1 (Setup): This is where the characters, setting, and central conflict are introduced. It establishes the status quo and introduces the story’s main characters and their goals or desires.
    • Act 2 (Confrontation): The story’s main conflict intensifies, and characters face obstacles and challenges. Subplots may be introduced, and the characters’ development and growth become evident.
    • Act 3 (Resolution): This is the climax and resolution of the story. The main conflict is addressed, and loose ends are tied up. It often concludes with a satisfying resolution for the characters.

How to use it: The Three-Act Structure provides a clear and easily digestible narrative framework, making it a popular choice for many stories. It helps build tension and allows for character development as the plot unfolds.

Three Act Structure
  1. Hero’s Journey:
    • The Call to Adventure: The hero receives a call to action, often leaving their ordinary world behind.
    • Initiation: The hero faces trials, meets mentors and allies, and ultimately confronts a major challenge or enemy.
    • Return and Transformation: After overcoming the central conflict, the hero returns to their ordinary world, transformed by their experiences.

How to use it: The Hero’s Journey is a powerful and timeless structure that resonates with audiences because it reflects the universal theme of personal growth and transformation. It’s especially useful for epic and fantasy narratives.

Hero’s Journey
  1. In Media Res (Mid-action) Story Arc:
    • Begin in the Middle of the Action: The story starts in the midst of a crucial event or conflict, often without extensive setup or exposition.
    • Flashbacks and Exposition: As the story progresses, it includes flashbacks or exposition to provide context and background information.
    • Resolution: The narrative eventually reaches a satisfying conclusion, often tying back to the initial action.

How to use it: Starting in media res can immediately engage the audience and raise questions, which can drive the narrative forward. It’s particularly effective for stories that benefit from a sense of mystery and intrigue.

All Purpose Guide

In addition to the three main story arcs, other groupings in threes you can explore in storytelling include:

  1. Character Archetypes:
    • The Hero
    • The Mentor
    • The Villain
  2. Narrative Points of View:
    • First Person
    • Second Person
    • Third Person
  3. Conflict Types:
    • Man vs. Self
    • Man vs. Nature
    • Man vs. Society

Video – Kurt Vonnegut on the Shape of Stories

Kurt Vonnegut on the Shape of Stories

These storytelling elements can be mixed and matched to create unique and engaging narratives, depending on the type of story you want to tell and the impact you want to have on your audience.

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The Symbolism and Spiritual Significance of the Number Three

The Spiritual Meaning of Numbers
Tetragrammaton by Francisco Goya: Tetragrammaton by Francisco Goya: “The Name of God”, YHWH in triangle, detail from fresco Adoration of the Name of God, 1772

Three is the first number to which the meaning “all” was given. It is The Triad, being the number of the whole as it contains the beginning, a middle and an end. The power of three is universal and is the tripartide nature of the world as heaven, earth, and waters. It is human as body, soul and spirit.

In the first three numbers, all of the others are synthesized. From the union of oneness and duality (which is its reflection), that is, from triad, proceed all of the other numbers, and from this primordial triangle all figures derive.

There is also, for traditional civilizations, a direct relationship between numbers and letters of the alphabet, to the point where, with many alphabets, numbers were represented by letters, and had no special signs of their own. This is not the case with the early American cultures, which knew no alphabet, but we wish to call attention to this correspondence because not only the alphabetical code, but the numerical one, as well, describe all reality: that is, everything that is numerable or namable–in the sense of “ciphers,” harmonious measures, “proportions”–in sum, the totality of the cosmos, of the knowable.

This threeness or triad, has always been considered sacred–like oneness, duality, and all numbers–by virtue of its very properties and particular attributes. These properties and attributes are manifested in its threefold nature, which of itself is the inevitable expression of a principle, an archetypal fact, that solidifies in a series, as a representation of ideas and energies that materialize in magical, mysterious fashion while obeying precise, universal laws, which the numerical codes and their geometrical correspondences symbolize.

In numerology the number 3 is a whirlwind of expressiveness, joy, and boundless, childlike imagination. Threes possess vibrant energy, opening doors to self-expression and communication. Three’s magnetic personality draws people into its exciting presence.

Trinity Symbol Trinity Symbol

This symbol a triad or trinity. It is a symbol of the unity of body, mind and spirit. The symbol is of universal significance – it is found throughout history and all over the world. It was popularized early in this century by the Russian-born artist, philosopher and scientist Nicholas Roerich. (http://www.roerich.org). It can be interpreted in many different senses: spirit/mind/body in a circle of synthesis; past/present/future enclosed in the ring of eternity; art/science/religion bound in a circle of culture.

Chintamani Chintamani

The oldest of Indian symbols, Chintamani, the sign of happiness, is composed of this symbol and it can be found in the Temple of Heaven in Beijing. It appears in the Three Treasures of Tibet; on the breast of the Christ in Memling’s famous painting; on the Madonna of Strasbourg; on the shields of the Crusaders and coat of arms of the Templars. It can be seen on the blades of the famous Caucasian swords called “Gurda” and on the swords of Japanese nobility.

It appears as a symbol in several philosophical systems. It can be discovered on the images of Gessar Khan and Rigden Djapo; on the “Tamga” of Timurlane and on the coat of arms of the Popes. It can be seen in the works of ancient Spanish painters and of Titian, and on the ancient ikon of St. Nicholas in Bari and that of St. Sergius and the Holy Trinity. It appears on the coat of arms of the city of Samarkand, on Ethiopian and Coptic antiquities, on the rocks of Mongolia, on Tibetan rings, on Buddhist banners, on the breast ornaments of all the Himalayan countries, and on the pottery of the Neolithic age.

pins

This symbol is a symbol of happiness. It can not only appear in these famous places, but also appear around us. Therefore, this symbol can be customized into pins. You can also add your unique design to the custom pins. Whether you keep them for yourself or give them to relatives and friends, they are beautiful blessings. You can also customize the name of the person you want to give them to.

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Goldilocks & the Three Bears Playlist

Goldilocks & the Three Bears cartoon - 1935

Origin of Goldilocks story

The story was first recorded in narrative form by British writer and poet Robert Southey, and first published anonymously as “The Story of the Three Bears” in 1837 in a volume of his writings called The Doctor. … The story of the three bears was in circulation before the publication of Southey’s tale.
 

The Goldilocks principle

From the Wikipedia: The Goldilocks principle states that something must fall within certain margins, as opposed to reaching extremes. The Goldilocks principle is derived from a children’s story “The Three Bears” in which a little girl named Goldilocks finds a house owned by three bears.
Video Player
1. Cartoons For Kids - Goldilocks and the Three Bears
10:46
2. THE-THREE-BEARS-1935-UB-IWERKS-CARTOON
8:00
3. The-Story-of-the-Three-Bears-by-Robert-Southey
10:04
4. Bugs Bunny and the three bears ending scene
2:37
5. Fractured Fairy Tales-Goldilocks and the Three Bears
5:08
6. The Three Bears-1935
8:20
7. Goldilocks and The 3 Bears-Kids Out Charity - Animation by Neil Whitman
5:45
8. Goldilocks And The Three Bears Read By William-Shatner Twisted Fairytales (PG13)
2:45
9. Goldilocks and The Three Bears
2:35
10. Goldilocks and the Three Bears 1953
10:37
11. Bobby Troup - The Three Bears - 1953
2:34
12. Goldilocks and the Three Bears MGM Children's Series
8:05
13. Looney-Tunes-Goldimouse-and-The-Three-Cats-1960-Opening-Title-Closing-Reupload
2:49
14. Goldilocks-and-the-Three-Bears-by-Jan-Brett
6:19
15. Goldilocks and the Three Bears in American-Sign-Language
2:18
16. Looney-Tunes-Bear-Feat-1949-Opening-Title-Closing
3:00
17. Looney-Tunes-A-Bear-For-Punishment-1951-Opening-Title-Closing
3:00
18. Looney-Tunes-Whats-Brewin-Bruin-1948-Opening-Title-Closing-1995-Turner-Dubbed-Version
3:01
19. Porkys Bear Facts-1941 video
7:06
20. THE-THREE-BEARS-1
4:44
21. The Three Bears
6:49
22. Chinese Lanterns Van-Beuren-1935
7:26
23. The-Three-Bears-1935
2:04
24. The-Unbearable-Bear-bluray-NorTV
7:54
25. Three-Bears
6:25
26. Tig-Notaro-Jon-Dore-Deconstruct-Goldilocks-CONAN-on-TBS
4:59
27. the-Simpsons-goldilocks-and-the-three-bears
1:22
28. ASL-Storytelling Goldilocks and the Three Bears
6:47

Storyline

The Story of Goldilocks and the Three Bears
Once upon a time, there was a little girl named Goldilocks.  
She  went for a walk in the forest.  Pretty soon, she came upon a house.  
She knocked and, when no one answered, she walked right in.

At the table in the kitchen, there were three bowls of porridge.  
Goldilocks was hungry.  She tasted the porridge from the first bowl.
"This porridge is too hot!" she exclaimed.
So, she tasted the porridge from the second bowl.
"This porridge is too cold," she said
So, she tasted the last bowl of porridge.
"Ahhh, this porridge is just right," she said happily and 
she ate it all up.
After she'd eaten the three bears' breakfasts she decided 
she was feeling a little tired.  
So, she walked into the living room where she saw three chairs.  
Goldilocks sat in the first 
chair to rest her feet.  
"This chair is too big!" she exclaimed.
So she sat in the second chair.
"This chair is too big, too!"  she whined.
So she tried the last and smallest chair.
"Ahhh, this chair is just right," she sighed.  
But just as she settled down 
into the chair to rest, it broke into pieces!
Goldilocks was very tired by this time, 
so she went upstairs to the bedroom.  
She lay down in the first bed, but it was too hard.  
Then she lay in the second bed, 
but it was too soft.  Then she lay down in the third bed 
and it was just right.  
Goldilocks fell asleep.

As she was sleeping, the three bears came home.
"Someone's been eating my porridge," growled the Papa bear.
"Someone's been eating my porridge," said the Mama bear.
"Someone's been eating my porridge and they ate it all up!" 
cried the Baby bear.
"Someone's been sitting in my chair," growled the Papa bear.
"Someone's been sitting in my chair," said the Mama bear.
"Someone's been sitting in my chair and they've broken it all to pieces," 
cried the Baby bear.

They decided to look around some more and when they got upstairs 
to the bedroom, 
Papa bear growled, 
"Someone's been sleeping in my bed,"
"Someone's been sleeping in my bed, too" said the Mama bear
"Someone's been sleeping in my bed and she's still there!" 
exclaimed Baby bear.

Just then, Goldilocks woke up and saw the three bears.  
She screamed, "Help!"  
And she jumped up and ran out of the room.  
Goldilocks ran down the stairs, opened the door, 
and ran away into the forest.  
And she never returned to the home of the three bears.
THE END

Did You Know?

Cast for Hugh Harman Production 1935

June Foray Baby Bear (voice)
Rudolf Ising Papa Bear (voice)
Martha Wentworth Mama Bear (voice)

This is one of three shorts which were created at Disney and animated at MGM’s animation department led by Harman and Ising. Only the first one, “Merbabies,” was released as a Silly Symphony. The other two were then released as Harman and Ising shorts – they were “The Little Goldfish” and this one, “Goldilocks and the Three Bears.” 

Soundtracks

My Grandfather’s Clock
(1876) (uncredited)
Music by Henry Clay Work
The Irish Washerwoman
(uncredited)
Traditional
Here We Go Round the Mulberry Bush
(uncredited)
Traditional